Speaking “About the Most Important Thing in a Naive Language”: Constructing an Image of the Soviet Past in Vernacular Museums
- Autores: Sleptsova (Kyzlasova) I.1, Chesnokova E.1
-
Afiliações:
- Institute of Ethnology and Anthropology, Russian Academy of Sciences
- Edição: Nº 2 (2025)
- Páginas: 205–225
- Seção: Research Articles
- URL: https://rjonco.com/0869-5415/article/view/686661
- DOI: https://doi.org/10.31857/S0869541525020114
- EDN: https://elibrary.ru/TJZAHQ
- ID: 686661
Citar
Resumo
The article examines the differences in the images of the Soviet past that are constructed in vernacular museums dedicated to everyday life in the USSR. Using the examples of two museums (“Back to the USSR” in Zvenigorod and the “USSR Museum” in Ryazan), the study explores the means the organizers use to present their vision of that period. Despite the general similarity of museum collections, which consist of typical Soviet household items, and the thematic division of exhibitions, two distinct portrayals of the past emerge. The key difference lies in the emphasis placed by the creators of these museums. In one case, the focus is on the Soviet (an ideological perspective), where the individual objects and personal stories serve as illustrations of societal values, aspirations and feelings. In the other, the emphasis is on the past (an everyday-life perspective), where ideology and state interests are placed on the periphery, becoming a backdrop for individual stories of daily life. The guided tour narrative serves as the main tool for directing and adjusting visitors’ perception of certain components of the exposition, evoking the intended emotions and assessments of the presented objects, as envisioned by the museum creators.
Texto integral

Sobre autores
Irina Sleptsova (Kyzlasova)
Institute of Ethnology and Anthropology, Russian Academy of Sciences
Autor responsável pela correspondência
Email: i_kyzlasova@iea.ras.ru
ORCID ID: 0000-0002-9058-1464
старший научный сотрудник отдела русского народа
Rússia, 32a Leninsky prospekt, Moscow, 119991Elena Chesnokova
Email: chesnokova.eg33@gmail.com
ORCID ID: 0000-0002-9815-3042
independent researcher
Rússia, VladimirBibliografia
- Abramov, R.N. 2011. “Sovetskii cherdak” rossiiskoi blogosfery: analiz nostal’gicheskikh virtual’nykh soobshchestv [“Sovetskii cherdak” of the Russian Blogosphere: An Analysis of Nostalgic Virtual Communities]. INTER 6: 88–102.
- Abramov, R.N. 2013. Muzeefikatsiia sovetskogo: istoricheskaia travma ili nostal’giia? [Museumification of Soviet, Eds Past: What Does It Manifest – A Historical Trauma or Nostalgia?]. Chelovek 5: 99–111.
- Abramov, R. 2018. Nostal’gicheskie affekty i kommodifikatsiia sovetskogo: na primere Muzeia sovetskikh igrovykh avtomatov [Nostalgic Affects and the Commodification of the Soviet Period: On the Case of Museum Soviet Arcade Machines]. INTER 1 (15): 41–54. https://doi.org/10.19181/inter.2018.15.3
- Abramov, R.N., et al. 2023. Polemicheskie rassuzhdeniia o “vernakuliarnom muzee” [Critical Reflections on the “Vernacular Museum”]. Etnograficheskoe obozrenie 6: 111–138. https://doi.org/10.31857/S0869541523060088
- Assmann, A. 2019. Zabvenie istorii – oderzhimost’ istoriei [Forgetting History – Obsession with History]. Moscow: NLO.
- Barash, R.E. 2017. O nekotorykh prichinakh “sovetskoi” nostal’gii i osobennostiakh istoricheskoi pamiati rossiian o sovetskom periode [Some of the Reasons for “Soviet” Nostalgia and Historical Memory of Russians about the Soviet Period]. Sotsiologicheskaia nauka i sotsial’naia praktika 5 4 (20): 124–151. http://www.doi.org/10.19181/snsp.2017.5.4.5523
- Bobrikhin, A.A., and N.B. Gramatchikova. 2019. Verbal’nye i vizual’nye narrativy naivnykh khudozhnikov [Verbal and Visual Narratives of Naive Artists]. Shagi/Steps 5 (2): 211–239. https://doi.org/10.22394/2412-9410-2019-5-2-211-239
- Boym, S. 2019. Budushchee nostal’gii [The Future of Nostalgia]. Moscow: NLO.
- Chesnokova, E.G. 2024. Modus eksponata v vernakuliarnom muzee: proizvodstvo novogo statusa veshhi [The Mode of a Museum Artifact in a Vernacular Museum: The Production of a New Status of a Thing]. Kunstkamera 3 (25): 16–27.
- Kupriyanov, P.S. 2016. Obraz traditsionnoi kul’tury v istoricheskom muzee: proizvodstvo, osobennosti i funktsii [The Image of Traditional Culture at a Historical Museum: Its Production, Specificities, and Functions]. Etnograficheskoe obozrenie 6: 11–26.
- Kupriyanov, P.S. 2022. Detskoe (i) sovetskoe: vzroslye i deti v muzeiakh sovetskoi povsednevnosti [Adults and Children in Museums of Soviet Everyday Life]. Vestnik antropologii 3: 7–34.
- Kupriyanov, P.S., and M.L. Lurie. 2022. “Vot etot vot dukh, kogda on est’, eto vsegda ochen’ zdorovo…”: kak rabotaiut kul’turnye atmosfery i za chto ikh liubiat [“This Spirit, when You Feel It, It is Always Very Cool…”: How Cultural Atmospheres Work and Why Do We Like Them]. Shagi/Steps 8 (4): 248–275. https://doi.org/10.22394/2412-9410-2022-8-4-248-275
- Lowenthal, D. 2004. Proshloe – chuzhaia strana [The Past Is a Foreign Country]. St. Petersburg: Vladimir Dal’.
- Mazur, L.N. 2013. Obraz proshlogo: formirovanie istoricheskoi pamiati [The Image of the Past: Historical Memory Formation]. Izvestiia Ural’skogo federal’nogo universiteta. Seriia 2: Gumanitarnye nauki 3 (117): 243–256.
- Mazur, L.N. 2019. Nostal’giia po SSSR: pamiat’ – mify – politika? [Soviet Nostalgia: Memory – Myths – Politics?]. Dokument. Arkhiv. Istoriia. Sovremennost’ 19: 180–206.
- Morozov, I.A., and I.S. Sleptsova. 2020. S pristrastiem vgliadyvaias’ v proshloe: “ad” i “rai” sovetskoi epokhi v sovremennykh muzeinykh narrativakh [Biased Peering into the Past: The “Hell” and “Heaven” of the Soviet Era in Contemporary Museum Narratives]. Zhurnal sotsiologii i sotsialnoi antropologii 23 (5): 195–224. https://doi.org/10.31119/jssa.2020.23.5.8
- Pănoiu, A.-M. 2017. A Sense of Past: Usages of Objects in Naïve Museology. Martor. Revue d’Anthropologie du Musée du Paysan Roumain 22: 149–164.
- Repina, L.P. 2003. Obrazy proshlogo v pamiati i istorii [Images of the Past in Memory and History]. In Images of the Past and Collective Identity in Pre-Modern Europe, edited by L.P. Repina, 9–18. Moscow: Krug.
- Repina, L.P., ed. 2010. Obrazy vremeni i istoricheskie predstavleniia: Rossiia – Vostok – Zapad [Images of Time and Historical Concepts: Russia – East – West]. Moscow: Krug.
- Rezanova, Z.I., ed. 2011. Nostal’giia po sovetskomu [Nostalgia for the Soviet Union]. Tomsk: Izdatel’stvo Tomskogo universiteta.
- Rusakova, O.F., E.G. Gribovod, and Y.Y. Moiseenko. 2022. Diskurs politiki pamiati: issledovaniia simvolicheskikh aspektov [Discourse on the Politics of Memory: Studies of Symbolic Aspects]. Diskurs-Pi 19 (2): 154–171. https://doi.org/10.17506/18179568_2022_19_2_154
- Shub, M.L. 2018. Obraz proshlogo kak fenomen kul’tury: kontseptualizatsiia i formy reprezentatsii v sovremennom sotsiokul’turnom prostranstve [The Image of the Past as a Cultural Phenomenon: Conceptualization and Forms of Representation in the Modern Socio-Cultural Space]. PhD diss., Chelyabinsk State Institute of Culture.
- Shub, M.L., and V.S. Tsukerman. 2019. Sovetskoe proshloe kak resurs aktual’noi rossiiskoi kommemoratsii [The Soviet Past as a Resource of Current Russian Commemoration]. In Nauchnye shkoly. Molodezh’ v nauke i kul’ture XXI veka [Scientific Schools: Youth in Science and Culture of the 21st Century], edited by Е.V. Shvachko, 162–166. Cheliabinsk: Cheliabinskii gosudarstvennyi institut kul’tury.
- Sleptsova (Kyzlasova), I.S., and E.G. Chesnokova. 2023. Vernakuliarnyi muzei: k opredeleniiu poniatiia [Vernacular Museum: Toward the Definition of the Concept]. Etnograficheskoe obozrenie 6: 92–110. https://doi.org/10.31857/S0869541523060076
- Tikhonova, S.V., and D.S. Artamonov. 2022. Nostal’giia po SSSR v industrii vpechatlenii: muzei sovetskogo byta [Nostalgia for the USSR in the Impressions Industry: Museum of Soviet Life]. Industrii vpechatlenii. Tekhnologii sotsiokul’turnykh issledovanii 1 (1): 137–152. https://doi.org/10.34680/EISCRT-2022-1(1)-137-152
Arquivos suplementares
