| Edição |
Título |
Arquivo |
| Volume 82, Nº 3 (2023) |
Semantics of Conscience in Richard III: “Worm”, “Coward”, “Witness” |
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Микеладзе Н.
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| Volume 83, Nº 4 (2024) |
Semiotics and Mythology in the Works of Michel Tournier |
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Merkoulova I.
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| Volume 82, Nº 5 (2023) |
Sergey Durylin on Shakespeare in the Russian Theatre: On the Question of the Modalities of Theater Critical Writing in the USSR in the 1930s–1950s |
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Zhatkin D., Serdechnaya V.
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| Volume 82, Nº 4 (2023) |
Synesthetic Word Combinations in a Parallel Multilingual Corpus |
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Iaroshenko P.
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| Volume 83, Nº 4 (2024) |
Syntactic Opposition for Nouns and Verbs as an Argument of a Clause in Late Classical Chinese Text Lunheng I A. D. |
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Durymanova A.
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| Volume 83, Nº 5 (2024) |
Systems of knowledge organizing in philological information resources |
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Antopolsky A.
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| Volume 82, Nº 2 (2023) |
The Formation of the Novel: Literature Vs. Theory of Literature |
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Popova I.
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| Volume 82, Nº 2 (2023) |
O. Mandelstam’s Poem “The Strawˮ: A Linguistic Commentary |
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Moskvin V.
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| Volume 84, Nº 3 (2025) |
Ways of Translating Polish Predicative Past Passive Participles into Old Church Slavonic in “Ecclesiastical Annals” of the 17th Century |
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Ermolova M.
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| Volume 84, Nº 1 (2025) |
Substantivization in Russian: types, tools, limits |
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Norman B.
|
| Volume 83, Nº 1 (2024) |
The Plot of “The Wizard and His Horse” in the Oirat Monument “Aršāni Nomiyin Tuuǰi” (“The Tale of the Nectar Teaching”) |
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Menyaev B.
|
| Volume 82, Nº 4 (2023) |
The Works of Charles Sorel in the Context of the Debate on “Vraisemblance” in the French Aesthetics of the 17th Century |
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Ermilova K.
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| Volume 83, Nº 4 (2024) |
The Textology of I. A. Bunin’s Short Story “Silence”: Elegy in Prose |
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Shchavlinskiy M.
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| Volume 82, Nº 6 (2023) |
[Review:] Folklore of the Teleuts. Collected, edited and translated with an introduction and commentaries by Dmitriy A. Funk. General edition by Anna V. Dybo. Moscow: Institute of Ethnology and Anthropology of the Russian Academy of Sciences, 2020. 428 pp. [In Russ.] |
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Duvakin E.
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| Volume 83, Nº 6 (2024) |
Types of Comments in the “Dictionary of the Language of Russian Poetry (the 20th Century)” |
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Shestakova L., Kuleva A.
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| Volume 82, Nº 3 (2023) |
Transformation of Oblomov’s Portrait in Two Editions of I. A. Goncharov’s Novel: About Literary Discussion with “Physiologies” of F. V. Bulgarin |
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Belyaeva I.
|
| Volume 82, Nº 6 (2023) |
Transformation of the Growing-Up Novel as Impacted by Zen Buddhism Ideas in Kerouac’s Novels “On the Road” and “Dharma Bums” |
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Tsvetkova M., Belyanskaya O.
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| Volume 82, Nº 6 (2023) |
Labor theory of the origin of the language: Friedrich Engels, Ludwig Noiré, Nikolai Marr |
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Nikandrov A.
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| Volume 83, Nº 6 (2024) |
Turgenev vs Flaubert, or Literary Polemic about Sancta Simplicitas |
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Belyaeva I.
|
| Volume 84, Nº 3 (2025) |
Estate and Dacha – Moving on. Review of the Book: Bogdanova, O. A. Hermeneutics of the Literary Estate: Theory, History, Modernity: Monograph. Ed. by M. V. Skorokhodov. Moscow: IWL RAS Publ., 2024. 560 p. (Series “Russian Estate in the Global Context”. Issue 9). [In Russ.] |
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Domanskii Y.
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| Volume 83, Nº 5 (2024) |
[Review:] Estate and dacha in the literature of the soviet era: losses and gains: a collective monograph, comp. by O. A. Bogdanova, ex. ed. V. G. Andreeva, O. A. Bogdanova. Moscow: IWL RAS Publ., 2024. Issue 8. 672 p. (Series: “Russian estate in a global context”). [In Russ.] |
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Koptelova N.
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| Volume 82, Nº 4 (2023) |
Phasal Polarity: Violated Expectations or Contrast? |
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Volkov O.
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| Volume 84, Nº 2 (2025) |
The phenomenon of the character in Chekhovʼs plays |
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Afanasyev E.
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| Volume 83, Nº 4 (2024) |
The Phenomenon of the Character of Chekhovʼs Fiction |
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Afanasyev E.
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| Volume 83, Nº 4 (2024) |
Folklore and Mythological Motifs and Images in the Lyrical Poetry by Viktor Rydberg |
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Surkov V.
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| Volume 83, Nº 1 (2024) |
A Fragment National Library of Russia Greek 87: A New Find of the New Tropologion |
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Nikiforova A.
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| Volume 83, Nº 1 (2024) |
Franz Kafka and the Problem of Literary Reputation (On the 100th Anniversary of the Writer’s Death) |
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Zherebin A.
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| Volume 83, Nº 2 (2024) |
The nature and types of pragmatic information about the word and its presentation in the explanatory dictionary |
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Kakorina E.
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| Volume 83, Nº 5 (2024) |
Chronicle of the conference with international participation “Fifth Grigoryev’s Readings” on the topic “Literary text: corpus methods of research” |
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Petrova Z., Fateeva N.
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| Volume 82, Nº 6 (2023) |
Chronicle of a Scientific Seminar with International Participation “Dynamics of Comparative Constructions and Types of Their Interaction in Modern Russian Prose” |
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Petrova Z., Фатеева Н.
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| Volume 82, Nº 1 (2023) |
Color Metaphor in Jacques Prévert’s Works |
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Kulagina O.
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| Volume 84, Nº 3 (2025) |
Man and His Activities in The Medieval Latin Hymnographic Tradition:
The St. Gallen Poetic School as a Case Study |
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Nenarokova M.
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| Volume 84, Nº 3 (2025) |
Chernozemova, E. N. Conversation about Dignity and Honour in the System of Genres of English Drama of the Late 16th Century. Moscow: De’Libri Publ., 2024. 276 p. [In Russ.] |
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Haltrin-Khalturina E.
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| Volume 84, Nº 2 (2025) |
Features of magical realism in the “Neapolitan novels” by Elena Ferrante |
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Iavorovskaya N.
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| Volume 83, Nº 3 (2024) |
Elements of Romantic Poetics in Rydbergʼs Work: Continuity and Innovation. The Motif of Journey in Viktor Rydberg’s Poetry |
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Surkov V.
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| Volume 82, Nº 2 (2023) |
Epic Word: O.-Icel. hǫll ‘hall, dwelling’ in the Elder Edda |
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Toporova T.
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| Volume 83, Nº 5 (2024) |
Epic word: a comparative analysis of the nominations of the world in the Elder and Younger Eddas |
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Toporova T.
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| Volume 84, Nº 3 (2025) |
Yuly Aykhenvald and Collected Works of A. S. Pushkin Published by Vengerov (Based on Materials from the Manuscripts Department of the Institute of Russian Literature) |
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Kochergina I.
|
| Volume 84, Nº 2 (2025) |
Yuly Aykhenwald in the debate about the theatre. Article two |
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Takho-Godi E.
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| Volume 83, Nº 5 (2024) |
Yuly Aykhenwald in the debate about the theatre. Article one |
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Takho-Godi E.
|
| Volume 84, Nº 2 (2025) |
I am grateful to Yura Apresyan. For what? |
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Saloni Z.
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